The chorus for the opening track "Golden Light" sounds eerily similar to the Gerard McMann penned "Cry Little Sister", which many of you would recognize as the theme song for the movie The Lost Boys. Twin Shadow's George Lewis looks vaguely vampirish on the Confess cover and I could imagine him performing The Lost Boys theme song himself if he had been making music back in the 80's. His music is one giant homage to the slickly overproduced hits of that decade. Twin Shadow's success is also allowing Lewis to live out his James Dean motorcycle rebel fantasy, and I must say, the looks suits him just fine. One of the interesting aspects to Lewis' music is the contrast between his guitar playing and his reliance on synth-laden hooks. After seeing Twin Shadow play live it's obvious that Lewis is a very competent guitarist, but buries his playing under a pile of new wave keyboard notes. It's this infatuation with dated sounds that is, at once, both charming and limiting. Prince is also a deceptively agile guitar player who, having always placed song structure above personal affectations, wavered through personas and his own genre nostalgia: soul and funk music. If the comparison between the two has not already been made, it should. Confess provides more of the same, sonically and thematically, as the debut record Forget, but doesn't display much musical progression. Confess feels like the result of a lot of time on the road, writing at rest stops and in flea bag hotels, recording on a couple off days, touring again, a little writing, recording again while on holiday, etc. I hope that Mr. Lewis finds the time to rest and chart out a musical course because he has the potential for a long and fulfilling career.